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Freddie was a sombre and mournful, marooned sea captain and performed again later as a priest; both parts were performed with confidence and clarity, well done Freddie. Jorge played an hilarious Sir Toby Belch and, teamed with Matthew as Sir Andrew Aguecheek, provided routines of clowning and comic exaggeration that had the entire audience giggling. They carried a small ‘gesture’ of a shrubbery on stage and yet made us believe in their garden scene. Gemma, as Maria, held the comic group together and established her character with authoritative and impressive impact.
Joshua, as Malvolio, was very good and struck just the right note of haughtiness to justify his come-uppance. Yannick was a real discovery, the first member of the cast to have learnt his lines, Yannick as Antonio, achieved the right balance between a dangerous and rejected desperado and righteous indignation. Thomas was suitably businesslike and forceful as Orsino’s officer. The cast were praised by the organisers for their stage combat skills and a highly convincing sword fight.
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Acting Shakespeare can be difficult at the best of times but it is exceptionally difficult if you are Ukrainian and English is your second language. With great concentration and skill, Yelyzaveta successfully portrayed Valentina as a serious and attentive personal maid to Gemma’s Olivia. Gemma looked uncannily like Elizabeth I and acted with regal diction and focus. Another newcomer from the Ukraine is Kseniya who skilfully played Feste the clown and a scary interrogating monk, Sir Topaz.
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Drama activities continue with this cast who were a pleasure to work with; they are keen to continue with something more modern, that being a performance of a modern play from the National Theatre ‘Connections’ festival.
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